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Broadway theater in Manhattan, New York

This article is about the Broadway theater. For the 1998 film, come across 54 (flick). For the 2018 film, come across Studio 54 (film).

Studio 54

Gallo Opera Business firm (1927)
Casino de Paree (1933)
WPA Federal Music Theatre (1937)
New Yorker Theatre (1939)
CBS Studio 52 (1942)
Studio 54 logo.svg
Address 254 West 54th Street
Manhattan, New York City
Coordinates 40°45′51.7″North 73°59′01.6″W  /  40.764361°Due north 73.983778°W  / 40.764361; -73.983778 Coordinates: xl°45′51.7″N 73°59′01.half-dozen″Westward  /  40.764361°North 73.983778°W  / 40.764361; -73.983778
Public transit New York City Subway:
  • 50th Street/Eighth Avenue (C and ​E)
  • 50th Street/Broadway (1)
  • 7th Avenue/53rd Street (B, ​D​, and E)
  • 57th Street–Seventh Avenue (N, ​Q, ​R, and ​Due west)
Owner Roundabout Theatre Visitor
Blazon Broadway
Chapters 1,006 (519 orchestra/487 mezzanine)[2]
Structure
Opened 1927
Builder Eugene De Rosa[1]
Website
world wide web.roundabouttheatre.org

Studio 54 is a Broadway theatre and a onetime disco nightclub located on 54th Street in Midtown Manhattan, New York City. The building opened in 1927 equally the Gallo Opera House.[three] It operated every bit an amusement venue under various names until 1942, when CBS began using information technology every bit a radio and television studio dubbed Studio 52.[4]

In 1977, Steve Rubell and Ian Schrager opened a nightclub in the building, retaining many one-time TV and theatrical sets and naming it for its street. Launched at the peak of the disco dancing and music tendency, the social club became world-famous,[5] [half dozen] noted for its celebrity guest lists, restrictive (and subjective) entry policies (based on ane's appearance and style), rampant guild drug use, and open sex activity in the club'due south infamous balcony and basement VIP rooms.[seven] In 1980, the club shut downward later its founders were convicted for evading taxes. They sold the club to Mark Fleischman,[viii] [9] [10] who reopened it, then sold it in 1984 to new owners, who closed it in 1986.

Since November 1998, the site has served every bit a venue for productions of the Roundabout Theatre Company and retains the name Studio 54.[11] A separate restaurant and nightclub, Feinstein'south/54 Below, operates in the basement of the edifice.[12]

In 2020, it expanded into a music banner including a record label, Studio 54 Music, and radio station on Sirius XM, Studio 54 Radio.[xiii]

Early on history [edit]

Opera and theater [edit]

Designed by famed architect Eugene De Rosa, the venue was adult every bit the Gallo Opera House (before long revised to Gallo Theatre), named for its owner, Fortune Gallo. De Rosa publicized plans in Baronial 1926 for a 16-story part building on 254–256 West 54th Street, which would contain a 3-story opera house on the lower floors.[14] The plans included a lounge with an opera museum below the primary floors. Ida Louise Killam was hired to design the interior decorative scheme with a color palette of golden, blue, and rose.[xv]

The opera house premiered on November 8, 1927, with a large-scale production of La bohème, [16] [17] which closed after iii weeks. The Gallo was met with a succession of failed attempts to draw an audience and was lost to foreclosure after only two years.

Information technology later reopened nether new ownership equally The New Yorker only connected failing to concenter sufficient crowds. It inverse easily in the early 1930s, and so in 1937 information technology became the WPA Federal Music Projection of New York City'southward Federal Music Theatre/Theatre of Music,[18] [19] and then information technology became the New Yorker Theatre in 1939, housing an all-blackness version of The Swing Mikado, originally from Chicago, for two months, when the production moved to the 44th Street Theatre to terminate its run. The New Yorker Theatre saw its concluding production, Medicine Prove, end in May 1940, following which the building remained vacant for three years.[20]

CBS Studio 52 [edit]

In 1943, CBS purchased the theatre and renamed it Studio 52. CBS named its studios in order of purchase;[ citation needed ] the number 52 was unrelated to the street on which it was located. From the 1940s to the mid-1970s, CBS used the location equally a radio and TV stage that housed such shows equally What'southward My Line?, The $64,000 Question, Video Village, Countersign, To Tell the Truth, Crush the Clock, The Jack Benny Show, I've Got a Clandestine, Ted Mack and the Original Amateur Hour, and Captain Kangaroo.[21] The soap opera Beloved of Life was produced at that place until 1975.

In 1976, CBS moved virtually of its broadcast operations to the Ed Sullivan Theater and the CBS Broadcast Eye, and sold Studio 52.

Nightclub era [edit]

When CBS began marketing the building in 1976, various parties in the art and fashion world expressed involvement in seeing it converted into a nightclub. Male model Uva Harden tried to get gallery owner Frank Lloyd to finance the order, until Lloyd lost a $9 million lawsuit to the estate of the artist Mark Rothko, in the Rothko instance.[22]

In 1977, Steve Rubell and Ian Schrager transformed the theater into a nightclub called Studio 54, with Jack Dushey as a fiscal backer. They operated the company as Broadway Catering Corp. It took simply half-dozen weeks to transform the theater into a nightclub and cost $400,000 before its grand opening on April 26.[23] Rubell and Schrager hired Scott Bromley as architect,[24] [25] Ron Doud as interior designer, and Brian Thompson as lighting designer.[25] Jules Fisher and Paul Marantz, two well-known lighting designers, created the trip the light fantastic floor environment and created movable theatrical sets and lights using the existing Boob tube lighting circuits and fly systems.[26] This allowed for a dynamic, constantly-changing, environment and with which the crowd could be lit brightly.

Carmen D'Alessio was hired past Rubell and Schrager to promote the social club.[27] [28] and had hosted monthly parties at Maurice Brahms' Infinity.[29]

Inside a month of opening, the New York State Liquor Authority raided Studio 54 for selling liquor without a license and closed it. The owners of the nightclub said the incident was a "misunderstanding". The next night the club reopened, serving fruit juice and soda instead of liquor. Before the raid, the nightclub had been using daily "caterers' permits", which enabled the nightclub to serve booze but were intended for weddings or political events.[30] The State had denied the daily permit for the night and raided the nightclub. The nightclub had been using these permits while waiting for its liquor license to exist processed.

The scene (1977–1979) [edit]

Effect planner Robert Isabell had 4 tons of glitter dumped in a 4-inch layer on the floor of Studio 54 for a New year's day's Eve party. Possessor Ian Schrager said it was like "standing on stardust", and it left glitter that could exist found months afterward in attendees' habiliment and homes.[31]

Notable patrons [edit]

  • Woody Allen[32]
  • Bella Abzug[32]
  • Drew Barrymore[33]
  • Mikhail Baryshnikov[34]
  • John Belushi[35]
  • Leonard Bernstein[36]
  • Jacqueline Bisset[34]
  • David Bowie[37]
  • Truman Capote[32]
  • Gia Carangi[38]
  • Allan Carr[39]
  • Cher[34]
  • Pat Cleveland[24]
  • Roy Cohn[40]
  • Salvador Dalí[41]
  • Divine[42]
  • Faye Dunaway[43]
  • Doris Duke[32]
  • Farrah Fawcett[37]
  • Ric Flair[44]
  • Betty Ford[45]
  • Tom Ford[46]
  • David Geffen[47]
  • Martha Graham[45] [24]
  • Richard Gere[38]
  • Jerry Hall[48]
  • Halston[49] [45]
  • Victor Hugo[48]
  • Debbie Harry[48]
  • Margaux Hemingway[34]
  • Tommy Hilfiger[l]
  • Lauren Hutton[32]
  • Michael Jackson[48]
  • Bianca Jagger[48] [34]
  • Mick Jagger[48]
  • Rick James[44]
  • Bruce Jenner(Caitlyn Jenner)[39]
  • Elton John[48]
  • Grace Jones[48]
  • Tom Jones[51]
  • Jackie Kennedy Onassis[44]
  • Eartha Kitt[51]
  • Calvin Klein[48]
  • Karl Lagerfeld[34]
  • Timothy Leary[51]
  • Fran Lebowitz[52]
  • Lorna Luft[34]
  • George Michael[37]
  • Bette Midler[51]
  • Liza Minnelli[34] [45]
  • Freddie Mercury[44]
  • Al Pacino[44]
  • Dolly Parton[34]
  • Paloma Picasso[53]
  • Richard Pryor[51]
  • Gilda Radner[54]
  • Lou Reed[44]
  • Geraldo Rivera[55] [56]
  • Diana Ross[34]
  • Brooke Shields[48] [57]
  • Sylvester Stallone[34]
  • Tallulah[58] [59]
  • Elizabeth Taylor[48] [34] [45]
  • John Travolta[48]
  • Margaret Trudeau[51]
  • Donald and Ivana Trump[34]
  • Tina Turner[48]
  • Valentino[53]
  • Diane von Fürstenberg[49]
  • Diana Vreeland[42]
  • Andy Warhol[48]
  • Robin Williams[51]
  • John Lennon[sixty]

Other notables at the lodge [edit]

  • Actor Al Corley was a doorman during the late 1970s.
  • Actor Alec Baldwin worked for two months as a waiter at Studio 54.[61]
  • Emerge Lippman, too known as "Disco Sally", was a 77-year-erstwhile widow and regular dancer at the club.[38]
  • The ring Chic wrote a vocal in 1978, "Le Freak", after beingness refused entry to the club on New year's day'due south Eve 1977, despite having been invited past Grace Jones.[34] [62]

Stop of the first era [edit]

In Dec 1978, Rubell was quoted in the urban center's newspapers as proverb that Studio 54 had fabricated $7 million in its offset year and "merely the Mafia made more money". This got the attending of the IRS. Shortly later that, the nightclub was raided and Rubell and Schrager were arrested.[63] In June 1979, the two men were indicted on charges of skimming $2.5 million, as much every bit threescore percent of Studio 54's receipts over the past two years.[64]

Studio 54 closed with a final party on the dark of Feb 2–3, 1980, when Diana Ross and Liza Minnelli serenaded Rubell and Schrager. Ryan O'Neal, Farrah Fawcett, Mariel Hemingway, Jocelyn Wildenstein, Richard Gere, Gia Carangi, Jack Nicholson, Reggie Jackson, and Sylvester Stallone were among the guests that night.[34] Schrager and Rubell pleaded guilty to taxation evasion[65] [66] [67] and were each sentenced to three and a half years in prison,[68] [69] though they were paroled after 13 months.[seventy] On January 17, 2017, Schrager received a presidential pardon from President Barack Obama.[71]

1981–1994 [edit]

In Baronial 1981, Rubell's company sold the building to Philip Pilevsky for $1.15 1000000 in greenbacks, but Rubell and Schrager opted to proceed a lease. Later that year, the building was sold to Mark Fleischman and Stanley G. Tate with Rubell and Schrager staying on as consultants for six months afterward.[72] Studio 54 reopened in September 1981.[73] [74] Mark Fleischman published his memoir Inside Studio 54 in October 2017; many details of his years equally the owner are detailed equally well equally his feel ownership the club from Ian Schrager and Steve Rubell while they were incarcerated.[75]

Famed New York City doorman Haoui Montaug worked at Studio 54.[76] Paul Heyman was a photographer, producer, and promoter at the club in the mid-1980s.[77]

The Ritz and Cabaret Royale [edit]

From 1981 to April 1986, Marking Fleischman owned Studio 54. In April 1989, The Ritz nightclub, which had previously operated at 11th Street and Third Artery from 1980 to 1987, moved into the one-time Studio 54 under the name The New Ritz. In 1990, the club inverse the name back to that of its former location, The Ritz. The new owner, CAT Entertainment Corp operated the club primarily as a venue for new wave, punk, Eurodisco, and heavy metal artists and as well offered information technology every bit a public venue available for rent.

In 1993, CAT Entertainment was acquired past Cabaret Royale Corporation, a nightclub operator based in Dallas.[78] That July, the Ritz announced it would shut down and reopen as a topless bar.[79] CAT Entertainment completed a renovation of the nightclub, including modifications to the nightclub's phase area, which had been abandoned previously because of a lack of funds. True cat also resurrected both the nightclub and the Studio 54 trademark, which had never been properly registered by any of the prior owners or operators.[78] John Neilson too took over the venue[78] with plans to reopen it equally an uptown location of the Stringfellows nightclub.[78] [eighty] The remodeled nightclub opened in January 1994 and was operated every bit "Cabaret Royale at Studio 54".[81]

Meanwhile, the Depository financial institution of Tokyo had previously granted a mortgage on the theater and the adjacent part building to Pilevsky. When Pilevsky filed to reorganize his assets under the Affiliate xi bankruptcy procedure, the Bank of Tokyo foreclosed on Studio 54's mortgage,[82] and the theater and building were auctioned off.[81] [83] In late 1994, Allied Partners caused the Studio 54 properties for $5.5 million. Afterward protracted litigation, Cat Entertainment lost its charter on the nightclub and ceased operations in early on 1995.[84] Allied restored much of the architectural detail that had been painted black or covered with plywood by Schrager and Rubell. The nightclub reopened with a live concert past disco stars Gloria Gaynor, Vicki Sue Robinson, and Sister Sledge.[ citation needed ] The building again went into bankruptcy in 1996 and Centrolineal announced plans to convert the infinite into a virtual reality gaming venue at a cost of $10 million.[85] Nonetheless, the project was never completed.

Roundabout Theatre at Studio 54, mid-1990s–present [edit]

In July 1998, the collapse of a construction hoist blocked access to the Henry Miller Theatre on 43rd Street, where the successful revival of the Broadway musical Cabaret was playing.[86] To go on the prove accessible, the Roundabout Theatre Company agreed to motion the operation to Studio 54.[87] [88] Cabaret 's producer Sam Mendes had wanted to relocate to Studio 54 considering, similar Henry Miller'south, its dilapidated condition provided an ideal setting for the production.[89] Ultimately, Cabaret ran until Jan 2003.[90] Roundabout and then bought the Studio 54 edifice from Allied for $22.5 million in 2003,[91] [92] selling $32 million worth of triple tax-exempt bonds to fund the sale.[93] Later Cabaret closed, Studio 54 generally hosted larger productions that could not fit at Roundabout'due south other Broadway theater, the American Airlines Theatre. Roundabout staged several shows a yr at both theaters, with Studio 54 hosting a mixture of musicals and plays.[89]

The Stephen Sondheim and John Weidman musical Assassins was Roundabout'south first new product at Studio 54,[89] opening in Apr 2004.[94] [95] A revival of another musical by the same team, Pacific Overtures, opened that December.[96] [97] Following these 2 productions, Broadway historian Louis Botto wrote that Studio 54 "had finally fully been welcomed into the Broadway family virtually 80 years after Fortune Gallo first dreamed of it".[89] Roundabout completed some renovations in 2005,[98] which involved replacing the nightclub tables with raked seating, as well as converting the promenade into an exhibit with data on the theater's current production.[89] The theater hosted a revival of Tennessee Williams's A Streetcar Named Want in 2005,[99] [100] then Eugene O'Neill'due south A Bear on of the Poet afterward that year.[101] [102]

On March 12, 2020, the theater closed due to the COVID-xix pandemic.[103] It reopened on October viii, 2021, with performances of Caroline, or Modify.[104]

Notable productions [edit]

  • 1998: Cabaret [90] [87]
  • 2004: Assassins [94] [95]
  • 2004: Pacific Overtures [96] [97]
  • 2005: A Streetcar Named Desire [99] [100]
  • 2005: A Touch of the Poet [101] [102]
  • 2006: The Threepenny Opera [105]
  • 2006: The Apple tree [106]
  • 2007: 110 in the Shade [107]
  • 2007: The Ritz [108]
  • 2008: Sun in the Park with George [109]
  • 2008: Pal Joey [110]
  • 2009: Waiting for Godot [111]
  • 2009: Wishful Drinking [112]
  • 2010: Sondheim on Sondheim [113]
  • 2010: Brief Encounter [114]
  • 2011: The People in the Picture [115]
  • 2012: Harvey [116]
  • 2012: The Mystery of Edwin Drood [117]
  • 2014: Cabaret [118]
  • 2015: An Act of God [119]
  • 2015: Thérèse Raquin [120]
  • 2016: She Loves Me [121]
  • 2016: Holiday Inn [122]
  • 2017: Sweat [123]
  • 2017: Latin History for Morons [124]
  • 2018: Children of a Bottom God [125]
  • 2018: The Lifespan of a Fact [126]
  • 2019: Kiss Me, Kate [127]
  • 2019: The Sound Inside [128]
  • 2021: Caroline, or Change [129] [104]
  • 2022: The Minutes [130]

Upstairs at Studio 54 [edit]

The second flooring of the theater was used as a nightclub, called Upstairs at Studio 54, on weeks when plays were not beingness staged. The club was operated by Noel Ashman and Josh Hadar, who was one of the Allied partners. Upstairs at Studio 54 performers included Mark Ronson, Samantha Ronson, Gloria Estefan, Jody Watley, and Newsical.

Other tenants [edit]

The building, which is still frequently referred to as the Studio 54 edifice, houses various tenants, among them a theater venue, offices, and an educational facility called Mandl Schoolhouse, the College of Centrolineal Wellness. This building also houses Olivtree Securities LLC. In 1965, the edifice housed Scepter Records's offices, warehouse space and a recording studio, where The Velvet Underground & Nico album was recorded in April 1966.

Tape label [edit]

Studio 54 Music launched in 2020.[131] [132] Its offset release, Night Magic Vol. 1, is a four-track compilation EP of disco anthems from the society's prime number days, revised past musicians from both the original scene and the mod trip the light fantastic toe music era. The projection was led by producer JKriv, while essential keys, synths, and the overall EP co-production were past Morgan Wiley.[132]

The Night Magic EP name corresponds with that of a Brooklyn Museum exhibition that premiered in 2020.[133] The label also works with Sirius XM on Studio 54 Radio.[134]

Cultural impact [edit]

Studio 54 at MGM Thousand in Las Vegas

In the tardily 1970s, Studio 54 was ane of the all-time-known nightclubs in the earth, and it played a formative office in the growth of disco music and nightclub culture in general. Several franchises, notably in Las Vegas, accept sprung up around the state.[135] Additionally, multiple works of art, amusement, and media refer to or are associated with the nightclub. Examples include:

  • Fiorucci, an Italian way shop formerly located on E 59th Street, became known in the tardily 1970s every bit the "daytime Studio 54".[136]
  • Casablanca Records released a compilation album of disco music, A Night at Studio 54, in 1979; it peaked at No. 21.
  • 54, a flick about the disco, was released in 1998.
  • In 2011, Sirius XM launched Studio 54 Radio, a satellite radio station featuring classic disco and dance tracks from the 1970s to the 2000s, hosted past original doorman Marc Benecke and Myra Scheer featuring testimonials from the people connected to the club.[24] It originally debuted at channel 15 and was moved to aqueduct 54 in 2013.
  • In 2018, Studio 54, a 98-infinitesimal documentary past Matt Tyrnauer, reached both the Tribeca and Sundance picture festivals earlier being screened at select theaters.[137] This picture show has never-seen footage of the club as well equally interviews with Ian Schrager.[138] [139]
  • In 2019, Studio 54 became the theme for multiple collections from fashion and cosmetics brands, including, Calvin Klein, Michael Kors and NARS Cosmetics. The collections took inspiration from the guild'south glamorous heyday and showcased the iconic "54" logo.[140]
  • In 2020, later on postponing her tour due to the COVID-19 pandemic, vocalist-songwriter Dua Lipa performed a live-streamed online concert titled Studio 2054 on streaming platform LIVENow, with the name and overall concept taking inspiration from Studio 54.[141]
  • In Baronial 2021, it was announced that Ryan Tater is developing the fourth season of American Criminal offense Story, which will focus on the club, tentatively titled American Crime Story: Studio 54. The series will focus on the gild during the 1970s, earlier the conviction of Rubell and Schrager.[142]
  • In October 2021, the SO36 club in Berlin hosted an outcome called "Studio 36" that, according to the club'due south website, was inspired by the original Studio 54 and its legacy.[143]

Bibliography [edit]

  • Gaines, Steven; Cohen, Robert Jon (1979). The Guild, a Novel. New York: William Morrow and Company.
  • Haden-Guest, Anthony (1997). The Final Political party: Studio 54, Disco, and the Civilisation of the Dark . New York: William Morrow and Company. ISBN978-0688160982.
  • Ricardo, Jack (2012). Last Dance at Studio 54. ISBN978-ane-4675-1362-3.

References [edit]

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External links [edit]

  • "Andy Warhol and Friends in Studio 54". the-artists.org. 1981.
  • Official website for Roundabout Theatre at Studio 54
  • "Studio 54". newyorkcitytheatre.com. , newyorkcitytheatre.com
  • Studio 54 at the Internet Broadway Database
  • "A Historical Await at Studio 54" by Sabrina Cooper, CR Fashion Book, April 26, 2019
  • "Studio 54". Google virtual tour.

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